A Companion to the Works of Elias Canetti (Studies in German by Dagmar C. G. Lorenz PDF
By Dagmar C. G. Lorenz
Searchable PDF, with cover
The Bulgarian-born pupil and writer Elias Canetti (1905-1994) used to be probably the most astute witnesses and analysts of the mass hobbies and wars of the 1st 1/2 the 20th century. Born a Sephardic Jew and raised within the Bulgarian and Ladino languages, he selected to jot down in German, picking as he did with ecu literary and highbrow traditions. He was once offered the 1981 Nobel Prize in Literature for his oeuvre, such as dramas, essays, diaries, aphorisms, the radical Die Blendung (Auto-da-Fé), a three-volume autobiography, and the huge interdisciplinary treatise Masse und Macht (Crowds and Power). those writings, such a lot significantly Masse und Macht, show Canetti's thought-provoking principles on tradition and the human psyche with targeted specialise in the phenomena of energy, clash, and survival. Canetti's masterful prose, his linguistic suggestions, his marvelous satires and conceits proceed to fascinate students and common readers alike, and his intellectually hard, genre-bending writings merge conception and literature, essay and diary access. His philosophical and anthropological works are profoundly inspired via literature, whereas his literary texts are educated by means of his concept. The better half to the Works of Elias Canetti includes unique essays by way of well known overseas students operating on the vanguard of Canetti feedback. They research the writings of this notable author and philosopher within the context of pre- and post-fascist Europe, offering a complete scholarly advent to Canetti. The essays contain specific interpretations of person texts in addition to entire thematic and theoretical experiences dedicated to Canetti's paintings as a part of the Western philosophical and important tradition.
Table of Contents
Canetti’s valuable Works
Abbreviations of Works usually pointed out
Introduction - Dagmar C. G. Lorenz
William Collins Donahue - goodbye to All That: Elias Canetti’s Obituaries
Anne Fuchs - “The Deeper Nature of My German”: mom Tongue, Subjectivity, and the Voice of the opposite in Elias Canetti’s Autobiography
Hans Reiss - Elias Canetti’s perspective to Writers and Writings
Julian Preece - Canetti and the query of style
Wolfgang Mieder - “The Faultiest Expressions Have the best Attraction”: Elias Canetti’s Proverbial Aphorisms
Sigurd Paul Scheichl - Canetti’s Aufzeichnungen
Helga Kraft - Staging a Critique of Modernism: Elias Canetti’s Plays
Harriet Murphy - “Gute Reisende sind herzlos”: Canetti in Marrakesh
Irene Stocksieker Di Maio - house in Elias Canetti’s Autobiographical Trilogy
Ritchie Robertson - Canetti and Nietzsche: An advent to Masse und Macht
Johannes G. Pankau - photographs of female and male in Canetti’s Fictional, Autobiographical, and Theoretical paintings
Dagmar C. G. Lorenz - Canetti’s ultimate Frontier: The Animal
Svoboda Alexandra Dimitrova and Penka Angelova - Canetti, Roustchouk, and Bulgaria: The effect of foundation on Canetti’s paintings
Michael Mack - Elias Canetti’s reaction to the Shoah: Masse und Macht
Works pointed out 313
Notes at the individuals 333
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Extra info for A Companion to the Works of Elias Canetti (Studies in German Literature Linguistics and Culture)
Levinson, and Newitt R. Sanford also focused on more general traits and psychological profiles. 22 Elias Canetti, “Dr. Hachiyas Tagebuch aus Hiroshima,” Das Gewissen der Worte (Munich: Hanser, 1975), 57–65. 23 Iris Murdoch dedicated her book The Flight from the Enchanter (New York: Viking Press, 1956) to Canetti. 24 Elias Canetti, Fritz Wotruba (Vienna: Rosenbaum, 1955). 25 Elias Canetti, Die Welt im Kopf (Vienna: Stiasny, 1962). 26 September 9, 1963. Quoted by Petersen, 61. 27 Elias Canetti, Der andere Prozeß: Kafkas Briefe an Felice (Munich: Hanser, 1976); Alle vergeudete Verehrung: Aufzeichnungen 1949–1960 (Munich: Hanser, 1970).
Lorenz presents a reading of Canetti in light of discourses questioning the Cartesian view of the world and human supremacy. Lorenz shows that Canetti’s images of animals are influenced by ideas emerging in the late nineteenth century, ranging from Tierschutz, animal protection, to Buddhist thought (with which Canetti was familiar). In conjunction with the author’s own misanthropic and culturally critical statements in his autobiographical writings and notebooks, Canetti’s works are replete with provocative animal images and statements that call for a fundamental revision of the way humans think about themselves and other species.
They honor Canetti by taking him seriously, rather than uncritically. Two Canettis? If Magris is to be credited with the original “two Canettis” thesis — the more radical and uncompromising young author of Die Blendung, Hochzeit, and Masse und Macht as opposed to the elderly, crowd-pleasing author of the autobiography — the obituaries suggest, as I have indicated above, a rather different division, namely the Canetti of academic literary criticism versus the feuilleton Canetti. This bifurcation is perhaps best exemplified in 32 E WILLIAM COLLINS DONAHUE the contrasting treatments of Masse und Macht, beginning with the question of reception.
A Companion to the Works of Elias Canetti (Studies in German Literature Linguistics and Culture) by Dagmar C. G. Lorenz