New PDF release: Abbas Kiarostami : Textes, entretiens, filmographie complete
By Laurent Roth, Charles Tesson, Jean-Michel Frodon, Alain Bergala
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Extra resources for Abbas Kiarostami : Textes, entretiens, filmographie complete
To return to the question of the good life, I suggest that a preliminary and necessary step toward it is participation in the rituals of high civilization that are relevant to one’s situation. These include the nascent rituals that allow one to negotiate among the institutions of different cultures that express what each civilization regards as the epitomes of human excellence. To participate in these culturally integrative rituals does not mean that one has to agree with or approve the institutions of all the cultures, or of any culture beyond one’s own, or even of one’s own culture.
The ritual dances of public society are never without a supplementary police force, however much Confucius himself hoped they might be. Xunzi was never in doubt about the point. Public rituals need enforcement. 33 Perhaps there is an even higher level of integration than that of public life, namely the exquisite beauty of the arts. As mentioned, Xunzi praises music for its sheer joy, punning on a homophone for music, joy, and delight. Music and the other arts call for the special organization of public life to support them, and they in turn shape public life.
The Confucian use of those sciences, however, is governed by the search for the possibility of humaneness. ” This was taken to mean that one should love one’s family more than the village and its laws, and one’s village more than the empire, and one’s empire more than people in other empires. Confucianism rejected universal love of Mozi’s sort. I believe that what was presupposed, though not acknowledged, in the “love with differences” idea was a working ritualized social system that clearly defined responsibilities in family, village, empire, and for the barbarians.
Abbas Kiarostami : Textes, entretiens, filmographie complete by Laurent Roth, Charles Tesson, Jean-Michel Frodon, Alain Bergala