Download PDF by Eric Morris: Acting, Imaging, and the Unconscious
By Eric Morris
Performing, Imaging, and the subconscious is the 5th in a chain of books written by way of Eric Morris on his particular approach of appearing. during this publication the emphasis is on imaging as an performing device to meet dramatic fabric. The paintings starts with an exploration of a number of the makes use of of imaging and is going directly to delineate very particular options and methods on the right way to snapshot, while to picture and why. keen on this method are desires and dreaming, in addition to subpersonalities, which all serve to entry and converse with the subconscious, the place ninety-five according to cent of an actor's expertise lives. additionally explored is a means of programming the subconscious to free up the pictures that lie on the middle of an actor's adventure and skill, therefore freeing the intriguing wellsprings of creativity within the roles an actor performs. With entire examples taken from classical and modern performs and flicks, this publication enters territories that had by no means ahead of been tread upon, therefore taking the artwork of performing right into a absolutely new measurement.
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Additional resources for Acting, Imaging, and the Unconscious
Condenser mics require external power, called phantom power, which is supplied as an option by most mic preamps. Dynamic mics, which are also referred to as moving coil mics, capture sound by using a coil attached to The Essentials the diaphragm that is vibrated in a magnetic field by the movement of the diaphragm. The moving coil creates an electrical current that is a representation of the sound. Here is a list of the primary differences between condenser and dynamic mics: Condenser Mics: • Require external (phantom) power • Provide the greatest detail of frequency response • Respond quickly to capture leading-edge transients • May be sensitive to loud sounds • Are somewhat fragile Dynamic Mics: • Do not require external power • Provide less detail than condenser mics • Do not respond as quickly to transients • Are able to withstand loud sounds • Are quite rugged There are two primary types of condenser microphones: large-diaphragm condensers and small-diaphragm (pencil) condensers.
The Essentials lems. This can be minimized by angling the speakers up slightly with the tweeters pointing at or just behind your ears. You can also experiment with using extenders to move the speakers closer to you or use stands to move them back if you feel as if you’re getting to much reflection from the work surface. Similarly, reflections off the wall behind the speakers or from corners will create phase problems, so it’s best to keep the monitors somewhat out in the room and away from walls.
There are numerous hybrid products that incorporate some, but not all, of the capabilities of a traditional mixer. Software mixers (such as the “mixer” page in your DAW) are really just virtual control surfaces, although they become more mixerlike by using plug-ins to give the user signalprocessing capabilities. Mic preamps are hardware by nature—the mic must be able to physically plug into them. Here, I am concerned primarily with software mixers (the mixer in your DAW), which might be better described as a virtual control surface.
Acting, Imaging, and the Unconscious by Eric Morris