Read e-book online Alien Chic: Posthumanism and the Other Within PDF

By Neil Badmington

ISBN-10: 0203687345

ISBN-13: 9780203687345

ISBN-10: 0415310229

ISBN-13: 9780415310222

ISBN-10: 0415310237

ISBN-13: 9780415310239

Alien Chic offers a cultural heritage of the alien because the Fifties, asking ourselves why our attitudes to extraterrestrial beings have shifted from worry to affection, and what this may let us know approximately how we now see ourselves and others.

Neil Badmington explores our dating with extraterrestrial beings, inscribed in movies akin to The conflict of the Worlds, Mars Attacks!, Mission to Mars and Independence Day; and the way thinkers akin to Descartes, Barthes, Freud, Lyotard and Derrida have conceptualised what it capability to be human (and post-human).

Alien Chic examines the the idea that of posthumanism in an age whilst the strains among what's human and what's non-human are more and more blurred by way of advances in technology and know-how, for instance genetic cloning and engineering, and the advance of AI and cyborgs.

Questioning no matter if our present embracing of all issues 'alien' - within the kind of extraterrestrial instruments or abduction narratives, for example - stems from a wish to reaffirm ourselves as 'human', this is often an unique and thought-provoking contribution to the examine of posthumanism.

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16 IT LIVES 39 In 1957, however, Barthes was not quite willing to abandon anthropocentric discourse altogether, for the essay on The Family of Man makes a clear distinction between ‘traditional humanism’ and ‘progressive humanism’. 20 In 1962, however, an anthropologist who would later be one of Barthes’s colleagues at the Collège de France took the challenge to humanist discourse one step further. Claude Lévi-Strauss might have recognized a trace of himself in Mythologies. 21 While Barthes was not an anthropologist, there was a sense, I think, in which he turned the anthropologist’s gaze away from the other, and towards the self, towards his own culture.

They, in short, guarantee the future of the human race in its new home. ‘Hard to believe they’re the good guys’, remarks Gallagher at the end of the film, implying that evil now resides elsewhere. But if the human-made AMEE represents the real threat, Red Planet at once narrates a more benign side to technology. Throughout the different crises faced by the crew, there is a marked reliance upon the technological, particularly the ship’s central computer, Lucille. Without Lucille, for instance, Gallagher would not have been able to escape from Mars, for the computer both relays vital information from Earth and, at the crucial moment, guides the Commander towards Gallagher’s floating pod.

Furthermore, it appears that some 90 percent of the genes making up our genome serve no purpose at all. What right do these genes have to exist? This is a critical question: if we describe them as useless, we arrogate to ourselves the right to destroy them. The same thing goes for any given aspect of humanity itself: once the human is no longer defined in terms of transcendence and liberty, but in terms of functions and of biological equilibrium, the definition of the human itself begins to fade, along with that of humanism.

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Alien Chic: Posthumanism and the Other Within by Neil Badmington


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