Read e-book online Alien Chic: Posthumanism and the Other Within PDF
By Neil Badmington
Alien Chic offers a cultural heritage of the alien because the Fifties, asking ourselves why our attitudes to extraterrestrial beings have shifted from worry to affection, and what this may let us know approximately how we now see ourselves and others.
Neil Badmington explores our dating with extraterrestrial beings, inscribed in movies akin to The conflict of the Worlds, Mars Attacks!, Mission to Mars and Independence Day; and the way thinkers akin to Descartes, Barthes, Freud, Lyotard and Derrida have conceptualised what it capability to be human (and post-human).
Alien Chic examines the the idea that of posthumanism in an age whilst the strains among what's human and what's non-human are more and more blurred by way of advances in technology and know-how, for instance genetic cloning and engineering, and the advance of AI and cyborgs.
Questioning no matter if our present embracing of all issues 'alien' - within the kind of extraterrestrial instruments or abduction narratives, for example - stems from a wish to reaffirm ourselves as 'human', this is often an unique and thought-provoking contribution to the examine of posthumanism.
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Additional info for Alien Chic: Posthumanism and the Other Within
16 IT LIVES 39 In 1957, however, Barthes was not quite willing to abandon anthropocentric discourse altogether, for the essay on The Family of Man makes a clear distinction between ‘traditional humanism’ and ‘progressive humanism’. 20 In 1962, however, an anthropologist who would later be one of Barthes’s colleagues at the Collège de France took the challenge to humanist discourse one step further. Claude Lévi-Strauss might have recognized a trace of himself in Mythologies. 21 While Barthes was not an anthropologist, there was a sense, I think, in which he turned the anthropologist’s gaze away from the other, and towards the self, towards his own culture.
They, in short, guarantee the future of the human race in its new home. ‘Hard to believe they’re the good guys’, remarks Gallagher at the end of the film, implying that evil now resides elsewhere. But if the human-made AMEE represents the real threat, Red Planet at once narrates a more benign side to technology. Throughout the different crises faced by the crew, there is a marked reliance upon the technological, particularly the ship’s central computer, Lucille. Without Lucille, for instance, Gallagher would not have been able to escape from Mars, for the computer both relays vital information from Earth and, at the crucial moment, guides the Commander towards Gallagher’s floating pod.
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Alien Chic: Posthumanism and the Other Within by Neil Badmington