Arnel Sarmiento's All about Colors and Composition in Arts PDF

By Arnel Sarmiento

Unique art by means of Arnel G. Sarmiento

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WHICH OF THESE IS AN ANARCHITECTURAL ANSEWER A. REALIZING RATHER THAN SOLVING PROBLEMS SOLUTIONS ARE STRUCTUALLY WEAK A FORMALLY DYNAMIC Q SOLUTIONS ARE THE WEAKEST FORMS OF AT WORK —Gordon Matta-Clark9 Across his œuvre, Matta-Clark’s discrete violations worked with aspects of familiar experience, and attempted to balance the supports and collapse of that which is taken for granted about such experience. Building dissections such as Circus, whether in their ‘real’ form or in subsequent reworkings such as the photocollage reproduced in figure 1, are open to a literal interpretation of this balance.

Moreover, they both contested the ‘static object’ conception of architectural form that MattaClark criticised, working away from the cut surface in two different directions. The spatial experience of these projects could not be anticipated from any of the ‘ideal’ forms of which they were comprised; it had to be a three-dimensional, dynamic experience, one that occurred over time and continued to offer ‘unexpected views’. Additionally, the revelation of what was usually hidden away behind the surfaces of walls, floors and ceilings displayed the process of making, its maintenance and decay, in short the process of change, that the built ‘object’ was caught up in.

Is it about to fall down? Evidently, the building confounded such expectations and continued to stand, and visitors were able to move around the building without precipitating its collapse. Certainly, their movement through the building would be radically different from that of previous occupants, and we can appreciate how their sense of the building’s spaces might approach the ‘entirely new’ condition that Matta-Clark pointed toward. 10 However, if we take account of Matta-Clark’s claims for discrete violation, the full resonance of Nonas’ comment begins to emerge, and the emotional charge can be understood to involve many more dimensions than just a fearful reaction.

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All about Colors and Composition in Arts by Arnel Sarmiento


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