Download e-book for kindle: Andrea Mantegna, le roi de l'illusion: Entre inspiration by 50 minutes, Éliane Reynold de Seresin

By 50 minutes, Éliane Reynold de Seresin

ISBN-10: 2806261619

ISBN-13: 9782806261618

Décryptez l’art d'Andrea Mantegna en moins d’une heure !

Représentant majeur du Quattrocento, Andrea Mantegna est sollicité par les plus grands de son époque, mais c’est à l’illustre famille Gonzague qu’il finit par s’attacher. C’est à leur gloire qu’il réalisera l’un de ses plus grands chefs-d’œuvre, l. a. Camera picta. Combinant l'inspiration old aux avancées majeures de son temps et poussant toujours plus loin sa recherche de réalisme, Mantegna surprend par sa modernité.

Ce livre vous permettra d’en savoir plus sur :
- Le contexte politique et culturel dans lequel Andrea Mantegna s’inscrit
- l. a. vie de l'artiste et son parcours
- Les caractéristiques et spécificités de son art
- Une sélection d’œuvres-clés de Mantegna
- Son influence dans l’histoire de l’art

Le mot de l’éditeur :
« Dans ce numéro de los angeles série "50MINUTES | Artistes", Eliane Reynold de Seresin se penche sur le destin d'Andrea Mantegna. Après un portrait complet de l'homme, c'est à l'artiste que l'auteure s'intéresse. Son goût de l'antique, l. a. précision de son trait, son obsession du détail, ses vues en contre-plongée... tous les ingrédients de son paintings sont analysés en détail, photographs à l'appui. Dans ce numéro, à côté de los angeles célèbre Chambre des époux, nous analysons également le Saint Sébastien du Louvre et l. a. Lamentation sur le Christ mort, deux œuvres particulièrement emblématiques du peintre. » Stéphanie Felten

À PROPOS DE l. a. SÉRIE 50MINUTES | Artistes
La série « Artistes » de los angeles assortment « 50MINUTES » aborde plus de cinquante artistes qui ont profondément marqué l’histoire de l’art, du Moyen Âge à nos jours. Chaque livre a été conçu à l. a. fois pour les passionnés d’art et pour les amateurs curieux d’en savoir davantage en peu de temps. Nos auteurs analysent avec précision les œuvres des plus grands artistes tout en laissant position à toutes les interprétations.

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Extra info for Andrea Mantegna, le roi de l'illusion: Entre inspiration antique et passion du progrès (Artistes, numéro 49)

Example text

Qxp 4/5/2007 8:11 AM Michelangelo Buonarroti, Holy Family (Tondo Doni), c. 1504. Tempera on wood, diameter: 120 cm. Galleria degli Uffizi, Florence. Michelangelo Buonarroti, Virgin with Child and St John the Baptist as a Child (Tondo Pitti), 1504-1505. 5 cm. Museo Nazionale del Bargello, Florence. Michelangelo and Giacomo della Porta, St Peter’s Basilica, Drum of the Cupola (North-West view), 1546-1590. St Peter’s Basilica, Rome. 40 Page 40 of Man and its consequences. After the manifold fates of the Israelites, The Fall of Man was to be followed by the redemption, and the redeemer even come from its midst.

The gestures of his apostles, scenically arranged and summarised in a billowing movement, stand for his demand to depict “the intention of the soul” through movement. The end of Ludovico Sforza’s reign was a catastrophe for Leonardo. He managed to save himself in time, and spent the years from 1499 to 1506 alternating between Florence and Venice and some other towns of the Romagna. He worked three years on his other absolute masterpiece, the picture of the genteel Florentine lady (Madonna) Mona Lisa (1503/1505), the wife of Francesco del Giocondo, and when they finally took it away from him, he explained that he had not finished it yet.

Gemäldegalerie, Dresden. Raphael (Raffaello Sanzio), The Madonna of the Goldfinch, 1506. 2 cm. Galleria degli Uffizi, Florence. Raphael (Raffaello Sanzio), Portrait of a Young Girl also called The Lady with a Unicorn, 1506. Oil on wood panel, transferred to canvas, 65 x 51 cm. Palazzo Pitti, Florence. qxp 4/5/2007 8:15 AM Page 46 and show the Law, Poetry, Theology and Philosophy, which are each embodied through female figures surrounded by two angels. Julius II died on 21 February 1513. His successor, Leo X, who loved splendour and magnificence, continued the tradition, making great demands on Raphael, who was now not “only” a painter, but was also appointed master builder of St Peter’s Cathedral, in 1514.

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Andrea Mantegna, le roi de l'illusion: Entre inspiration antique et passion du progrès (Artistes, numéro 49) by 50 minutes, Éliane Reynold de Seresin


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